
Last night we traveled to Coventry to see Davey Graham. Davey Graham, for those who don't know, was hugely influencial on the British folk scene in the early 60's. He broke away from the folk purists of the 50's developing his own picking style. Due to a vast knowledge of music he came at his guitar playing from many different angles; traditional folk, jazz, blues, indian, and eastern european music. He was held in high esteem by his contempories, guiding Bert Jansch in his younger years and influencing musicians like Simon and Garfunkel and Jimmy Page. He is also acknowledged as the creator of the DADGAD guitar tuning, therefore leaving his imprint on music to this day.
Approaching Coventry center from the motorway the town looks pretty grim, it has to be said even draber than Leicester, it was badly bombed in the war so I guess that's their excuse (Leicester on the other hand doesn't have one!) We were amused by the complex labyrinth of roads and flyovers, joking that it must have looked great on the model, not so good in concrete.
When we arrived at the gig, in a small club called The Tin Angel I was happily impressed. The place is a real gem. A lovely underground jazz club atmosphere, unfussy decor and as we walked in they were playing Vashti Bunyan, what more could I ask!
When Davey took to the stage at first his playing was a little ropey, he was playing really fast but wasn't quite hitting all the right notes, of course this was excused by the crowd, he is a legend after all. And with a little help from the audience, (their was a lot of love in the room!) he seemed to relax and we were all witness to that 'Davey magic'. He was fantastic he played everything from Bach to Turkish Lullabies including one of my favourite songs 'Raghupati Raghav' (which according to Davey was also Mahatma Gandi's.) To ensure complete silence and the reverence deserved the bar was shut during the show, this was a good idea as it is a tiny place, but it meant their had to be an interval for refills and this I think disturbed the flow of the performance as the second half didn't quite match up to the first. Nevertheless it was great to see him play, and to see him get a little of the respect he deserves. He gave the impression of being a really nice bloke and smiled from ear to ear at the reception he received.
It's funny how things run a full circle, just as Davey and others in the 60's were rediscovering the old blues players of the 20's and 30's, it is now their turn to be rediscovered as the folk heros of the 50's and 60's. Hopefully this will help music move forward a little.
(If anyone would like to hear any of his music I highly recommend the above album 'Folk, Blues and Beyond.')